1 Comparative Cultural Perspective Working on Dramatic Exchange Research: onProfessor Li Qiang”s New Book Dramatic Cultural Research on Silk Road (Journal of Xinjiang Normal University, Social Science edition,VOL.32 NO.6, pp.82-86).

2 Charm of Curse Use in Dramatic Plots: Literary Anthropological Interpretation of Sakuntala and its Comparison with Dou’E’s Wrong (Journal of Studies in National Art,2012 NO.6, pp.34-39).

3 Stage Communication of Sanskrit Drama Sakuntala in Britain and America(Journal of Xidian University, Social Science Edition,Vol.23,N0.1,pp.67-73).

4 Sakuntala in China(News letter of Eastern Literature studies,Vol.40, ,pp. 17-23).

5 ARough Comparison between the Devanagari and the Bengali Recension of Sakuntala(World Literature Review,2012 N0.2,pp.47-51).

6 On the Transmission of Sanskrit Drama into China on Two Routes(The Silk Road, 2012, issue No. 20, pp. 17-23).

7 On the Transformed Sakuntala in Lu Qian’s Peacock Girl of Nanxi Version(Annual of Research into Ancient Chinese Novels and Dramas, 2013,pp.81-86).

8 The ladder to the God: Distance in Dramatic Performance (Proceedings of Symposium on The Latest Trend in Literary Anthropoogy, 2013, Xi’an, pp.81-86).

9 Cultural Interpretations in Translating Shaanbei Folk Songs into English (Proceedings of The 2^nd Symposium on Shaanbei Folk Songs Transaltion, 2013, Xi’an, pp.90-92).

10 Review of International Academic Conference on The Silk Road Culture And Chinese Literature (Journal of Shaanxi Normal University, Social Science edition,2013 NO.1, p.176).

11 Review of Symposium on Ethnic Dramarurgy 2009(The Play,2013 NO.1, pp.95-96).